…it clings…

denise_grant 005b

Ob[l]ituary 2013 –

“If you asked me now who I am, the only answer I could give with any certainty would be my name. For the rest: my loves, my hates, down even to my deepest desires, I can no longer say these emotions are my own, or stolen from those I once so desperately wished to be.” – Evelyn Waugh, Brideshead Revisited

you would not be there to witness the gift bestowed upon me…yet… Albert’s Hall was thronging, hundreds of feet were pounding and my partner punctuated the air…yet…that moment in the spotlight was silent and empty like your grave…

and in that breath I swallowed your death…

…and you cling…

 …yet…there would be no warm embrace, no look of confusion, elation, swelling pride, bewildered furrows, eyebrows acting in amazement, the joy of light and tears in your eyes, on your cheek, no nervous energy coursing round your bodies, no celebratory gustatory delights, no fire to alight your memory
…and you cling…

without speech, in silent voice, telling me how proud you were, how happy you were, whilst the worry lay buried, you would not, could not, speak to me about the future or how you would not, could not, support me

…and you cling…

you would never know I was there, that for one small significant moment the ‘kid’ did good, beyond your wildest dreams, beyond her wildest dreams, yet she would continue to bear this lack, lick this porous festering wound for the rest of her life in utter silence…open wounds are susceptible to infection…in the mud decrepit dangers lurk…

…and you cling…there is no vocabulary to hush this conflict…detached poems speak voices of the dead

….and you cling…and her fury renders her speechless

…and it clings…a stain on the tip of her tongue…a ghost building, silhouettes of words [where] a certain set of gestures are housed

…and it stings

like any clandestine affair my glasses aren’t rose tinted, they are cracked, splintered, broken, smothered in the dirt of you, black excretions of filth exuding through the cracks, the grime of you inhabits […] the stench of you burns […]

in my nostrils, rolls around like grit in my eyes, feels like ash in my mouth; I roll your name around lovingly on my tongue, caressing you

..and it clings…

i roll you around in my mouth and you grate, setting my teeth on the edge. The grime of you inhabits every pore, dirty, filthy little memories secreted away, skin seething like ants

…and you cling…and it stings

no amount of washing can erase your sweet aroma, your putrid stench, your incessant demands, your impenetrability, your indifference, your pushiness, your excess, we sold our souls for you, I had holes in my soles for you, I have holes in my soul for you

...and it stings…and you cling

still you beckoned me with your availability, your parlor games, your desire to cater to every whim, the promise to fulfill any fantasy. Your body gorged my vision, replete with the extent of you, I could never see the end of you, never see beyond you, never get outside you, never get inside you…yet…always the feeling of you moving inside me

…and it stings…and you cling…and it rings

every day over and over, no touch can sooth or break this fever, no difference between aching and waking. What happens if your today keeps exploding? What went wrong with tomorrow? Where is your moment? Has it gone?

and you cling…and you cling…and you cling…and it rings…and it stings…and the past […] and so it begins

i have not uttered a word of this to anyone, not even to myself…

...and you cling, and the nightingale sings, and the melancholy rings, and the past […] and the future stings…and the falling begins…

i have lost my place, i’ll never be myself again

After her…After him…After the Great Wen*

© Denise Startin 2016

*The Great Wen is a pejorative term coined by William Cobbett in 1830 in reference to London.

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The Mind at 3 miles an hour

Frank van De Ven, Body Landscape Residency, 2011

Frank Van de Ven, Body Landscape Residency, 2011

“The multiplication of technologies in the name of efficiency is actually eradicating free time by making it possible to maximize the time and place for production and minimize the unstructured travel time in between…Too, the rhetoric of efficiency around these technologies suggests that what cannot be quantified cannot be valued-that that vast array of pleasures which fall into the category of doing nothing in particular, of woolgathering, cloud-gazing, wandering, window-shopping, are nothing but voids to be filled by something more definite, more production, or faster-paced…I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness.” Rebecca Solnit

Text reproduced from http://www.goodreads.com/quotes/497587-the-multiplication-of-technologies-in-the-name-of-efficiency-is 08052014

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Psyche © Denise Startin

wonder.ponder.imagine.desire.ache.long

I am here “For a seed to achieve its greatest expression, it must come completely undone. The shell cracks, its insides come out, and everything changes. To someone who does not understand growth, it would look like complete destruction” – Cynthia Occelli

I am unknown possibilities trying to be possibilities, fallible, flailing, failing, falling..spɛkˈtakjʊləli/spectacularly – D

Letters of Motivation – Move[ME]nt

Loïe Fuller & The Serpentine Dance, physical poet, 1862-1928

Loïe Fuller & The Serpentine Dance, physical poet, 1862-1928

things shifting, slowly, imperceptibly, m-o-o-o-ving, don’t…know…where to…a movement toward […] away…shifting…things appearing…vanishing…[sub] emerging…it might be too soon to say “A Denise”…might be a “A…might be “A…D…might just be ” but at least that is a start…an opening

[flashing cursor on the screen as I pause then press return…and move…toward…

…uncertain steps, uncertain of his convictions, unsure of herself and…]

her future, an uncertain smile seeking a point at which rays of light converge as they simultaneously diverge, searching for the distinctness or clarity of an image rendered by an optical system in the act of moving,

a change in place
or
position, the focus of a lens, whir-click, click-clack

touching the ornaments – knick-knack – with uncertain fingers – touch, brush, tap, tap, tap…tick…tock, hearing the driving and regulatory mechanism of a watch or a clock, a movement toward, finding in the rhythmic structure of movement a self contained symphony…

a series of actions and progressive events, a centre of interest and a movement toward,

move as smoothly as wind across water, move listlessly, move quick and light, move like a flightless bird, like a shoal of silver fish, dart, descend, drift, float, glide, move as if on a treadmill to the centre of interest and a movement

toward the distinctness or clarity of an image,

pace, rush, scamper, shuffle, c-r-e-e-e-e-e-p, glide like a shadow|shadow, twist, travel, totter, hover […]

like a woman uncertain of his convictions, unsure of herself, an uncertain smile groping in the dark for the sub-conscious memory of a rhythmic structure of movement – toward – a self contained symphony.

uncertain seeking, unsure future, uncertain convictions, taking uncertain steps to a point…to a point…to a point…to a point…to a point…to to to the point at which rays of light simultaneously converge and diverge –

move[ME]nt.

Foot Notes

Artists Foot Notes © My Sole

Loïe Fuller image reproduced from https://bibliolore.org/2013/05/20/loie-fullers-serpentine-success/