I am pleased to announce my piece “Dangling Modifiers” was accepted to HAUS A REST magazine, Issue 37 Alter Ego’s. Dangling Modifiers is the document of an ephemeral performance capturing a subject in process, a momentary ecstasis where high on a hilltop in the Lake District I attempted to dance with Paul Klee using his drawing Knotted 1920 as the performative score. I engaged in an improvised choreography whereby the drawing was translated into movement by falling, jittering, twisting, snaking, weaving and shimmying on a hilltop like a deranged walker. This performance was part of a residency where several bodies slept together in a village hall, and explored their structures, rhythms, touch, possibilities, limits, and their fragilities. This text is the only document of the performance.
Following my Immersive Analogue residency I’m building up my kit collection and recently added a Kodak 620 Model C Brownie. Introduced in 1946 and discontinued in 1957 the camera takes a 620 film and has an F stop of 11, can’t wait to have some fun with this!
I’m a sucker for ephemera and I absolutely love the quality and depth of Magic Lantern Slides, there’s something quite magical about holding a small piece of photographic history.
Making Place, Making Self explores new understandings of place and place-making in late modernity, covering key themes of place and space, tourism and mobility, sexual difference and subjectivity. Using a series of individual life stories, it develops a fascinating polyvocal account of leisure and life journeys. These stories focus on journeys made to the North Cape in Norway, the most northern point of mainland Europe, which is both a tourist destination and an evocation of a reliable and secure point of reference, an idea that gives meaning to an individual’s life. The theoretical core of the book draws on an inter-weaving of post-Lacanian versions of feminist psycho-analytical thinking with phenomenological and existential thinking, where place-making is linked with self-making and homecoming. By combining such ground-breaking theory with her innovative use of case studies, Inger Birkeland here provides a major contribution to the fields of cultural geography, tourism and feminist studies.
‘She was always looking forward’: Isabella Bird. Photograph: Royal Geographical Society/Getty Images
That reckless lady with “the up-to-anything and free-legged air,” as she herself described it, … went breezing about the remote parts of the Asian and American continents for thirty years and became one of the most popular, respected and celebrated travellers of the later nineteenth century. — Pat Barr, Preface.
“Isabella Bird (married name Bishop) was an English explorer, writer and photographer. She was the first women to be made a Fellow at the Royal Geographical Society. Bird was born near Leeds, in Boroughbridge in the Harrogate district of North Yorkshire, on 15th October 1831.
From a young age, Isabella Bird suffered with health problems. Her doctors recommended a sea voyage to help improve her condition and in 1854, aged 23, she set off to America on her first international journey. This was documented in her first of several books, The Englishwoman in America. Her books were written in an entertaining and accessible way and became very popular. This gave many people the chance to learn about the world beyond their home.
Isabella’s trip to America was just the beginning of her adventures. She explored countries all over the world including Australia, Hawaii, China, Japan, Vietnam, Korea, India and Iran. She climbed mountains, trekked through jungles, and rode for thousands of miles on horseback. She even rode on elephants! Her final travels were to Morocco when she was in her 70s. Isabella Bird was 60 years old by the time she took up photography. She produced beautiful images on her travels, and her later writings were published with her photographs alongside.
‘The Cobbler’ by Isabella Bird
Difficulties Facing Women Explorers
Isabella Bird led a life full of adventure and excitement, exploring sometimes dangerous regions and often setting out on her travels alone. This meant that her life was very different from how women were expected to live in the nineteenth century. When she became a Fellow at the Geographical Society in 1892, it was regarded an exception by the council members. They did not see women in general as able to contribute to scientific and geographical knowledge, and it was argued that women were not well suited to being explorers. In 1873, she rode 800 miles throughout the Rocky Mountains in North America. She was angry when a Times review of her book that described this journey described her appearance as “masculine” because of her clothing.
Although she was not a part of the Suffragette movement, she has been regarded as an important role model for women, and her images was used on a Suffragette placard. Isabella Bird is a character in Top Girls, a 1982 play by Caryl Churchill that looks at women’s roles and success in society. Churchill took quotes from Isabella Bird’s books to make up much of the dialogue of Isabella’s character in the play.”
denisestartin.co.uk 