Passage

Coronia © Denise Startin

“VI A few examples: A sailor of antiquity in his boat, enjoying himself and appreciating the comfortable creations. Ancient art represents the subject accordingly. And now: the experiences of modern man, walking across the deck of a steamer: 1. his own movement, 2. the movement of the ship which could be in the opposite direction, 3. the direction and speed of the current, 4. the rotation of the earth, 5. Its orbit, and 6. The orbits of the stars and the satellites around it.

The result: an organization of movements within the cosmos centred on the man on the steamer.”

Extract from Paul Klee “Creative Credo 1920” quoted in Theories of Modern Art: A Source Book by Artists and Critics, Herschel Browning Chip, Peter Howard Selz, pp.186

Holism, content and self

chiasmus

“[T]here must be, then, corresponding to the open unity of the world, an open and indefinite unity of subjectivity. Like the world’s unity, that of the I is invoked rather than experienced each time I perform an act of perception, each time I reach a self-evident truth, and the universal I is the background against which these effulgent forms stand out: it is through one present thought that I achieve the unity of all my thoughts…The primary truth is indeed ‘I think’, but only provided that we understand thereby ‘I belong to myself’ while belonging to the world.”

Text reproduced from Maurice Merleau-Ponty, The Phenomenology of Perception, quoted in Place and Experience, A Philosophical Topography, J Malpas, Cambridge University Press, 1999:pp.72. Image reproduced from http://merleau.jp/whatsE.html

The Devil’s Dictionary, Ambrose Bierce

Artist

Artist

Art, n. This word has no definition. Its origin is related as follows by the ingenious Father Gassalasca Jape, SJ.

One day a wag – what would the wretch be at? –
Shifted a letter of the cipher RAT,
And said it was a gods name! Straight arose
Fantastic priests and postulants (with shows,
And mysteries, and mummeries, and hymns,
And disputations dire that lamed their limbs)
To serve his temple and maintain the fires,
Expound the law, manipulate the wires.
Amazed, the populace the rites attend,
Believe whate’er they cannot comprehend,
And, inly edified to learn that two
Half-hairs joined so and so (as Art can do)
Have sweeter values and a grace more fit
Than Nature’s hairs that never have been split,
Bring cates and wines for sacrificial feasts,
And sell their garments to support the priests.

Text quoted from The Devil’s Dictionary by Ambrose Bierce, The Folio Society, London, 2003:pp15. Image reproduced from http://www.authorama.com/the-devils-dictionary-2.html [accessed 19072016}

‘Zone’

Still from Andrei Tarkovsky, Stalker, 1979

Still from Andrei Tarkovsky, Stalker, 1979

“All things are engaged in writing their history…Not a foot steps into the snow, or along the ground, but prints in character more or less lasting, a map of its march.The ground is all memoranda and signatures; and every object covered over with hints. In nature, this self registration is incessant, and the narrative is the print of the seal.”

Ralph Waldo Emerson (1850) quoted in Robert Macfarlane, The Old Ways, A Journey on Foot, Penguin Books: London 2013, pp.5
Image reproduced from Andrei Tarkovsky, Stalker, 1979, http://dinca.org/stalker-poster-artwork-tarkovski-surrealism/1058.htm

John Cage > Some rules for students and teachers

John Cage, reading at Harvard University, 1990. Courtesy of the John Cage Trust. Photo by Betty Freeman.

RULE ONE: Find a place you trust, and then try trusting it for a while.

RULE TWO: General duties of a student – pull everything out of your teacher; pull everything out of your fellow students.

RULE THREE: General duties of a teacher – pull everything out of your students.

RULE FOUR:
Consider everything an experiment.

RULE FIVE:
Be self-disciplined – this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.

RULE SIX: Nothing is a mistake. There’s no win and no fail, there’s only make.

RULE SEVEN: The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.

RULE EIGHT: Don’t try to create and analyze at the same time. They’re different processes.

RULE NINE: Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.

RULE TEN: “We’re breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities.”

HINTS: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything – it might come in handy later.

Text and Image reproduced from http://wanderlustmind.com/2010/07/