Bibliography

Fiction as Method

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See the world through the eyes of a search engine, if only for a millisecond; throw the workings of power into sharper relief by any media necessary; reveal access points to other worlds within our own. In the anthology Fiction as Method, a mixture of new and established names in the fields of contemporary art, media theory, philosophy, and speculative fiction explore the diverse ways fiction manifests, and provide insights into subjects ranging from the hive mind of the art collective 0rphan Drift to the protocols of online self-presentation. With an extended introduction by the editors, the book invites reflection on how fictions proliferate, take on flesh, and are carried by a wide variety of mediums—including, but not limited to, the written word. In each case, fiction is bound up with the production and modulation of desire, the enfolding of matter and meaning, and the blending of practices that cast the existing world in a new light with those that participate in the creation of new openings of the possible.

Text and image reproduced from https://www.sternberg-press.com/product/fiction-as-method/ (accessed 23/10/25)

Walking

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Across the world, walking is a vital way to assert one’s presence in public space and discourse. Walking maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology contends that, as a relational practice, walking inevitably touches upon questions of access, public space, land ownership, and use. Walking is, therefore, always a political act.

Artists surveyed include:
Stanley Brouwn, Laura Grace Ford, Regina Jose Galindo, Emily Hesse, Tehching Hsieh, Kongo Astronauts, Myriam Lefkowitz, Sharon Kivland, Andre Komatsu, Steve McQueen, Jade Montserrat, Sara Morawetz, Paulo Nazareth, Carmen Papalia, Ingrid Pollard, Issa Samb, Sop, Iman Tajik, Tentative Collective, Anna Zvyagintseva. Writers include: Jason Allen-Paisant, Tanya Barson, André Brasil, Amanda Cachia, Sarah Jane Cervenak, Annie Dillard, Jacques Derrida, Dwayne Donald, Darby English, Édouard Glissant, Steve Graby, Antje von Graevenitz, Stefano Harney and Fred Moten, Elise Misao Hunchuck, Kathleen Jamie, Carl Lavery, JeeYeun Lee, Michael Marder, Gabriella Nugent, Isobel Parker Philip, Rebecca Solnit.

Text and image reproduced from Amazon

Geographies of Englishness

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In the late-19th and early-20th centuries, the notion of Englishness was widely debated in English art and cultural circles. Might there be a specifically English landscape and an English way of representing it? Was the history of the nation unique, and might there be a particular and resilient national character? This study examines the intersection of national identity, modernization and landscape in English art during the period from 1880 to 1940.

Literary Landscapes

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Sixty maps, a gazetteer, and critical essays place the great writers of England, Scotland, Wales, and Ireland against the background of their native regions. Identifies geographic locations mentioned in the works of English authors and discusses the influence locations may have had on their work.

Contents:

–Chaucer’s world: Chaucer’s London; Touring with Chaucer’s pilgrims; Chaucer overseas: the country of his mind —
–Shakespeare’s London —
–Dr. Johnson’s London —
–Charles Dickens’s London —
–Virginia Woolf’s London : a walking tour with Mrs. Dalloway —
–Bath —
–Lake poets —
–Romantic poets abroad —
–Bronte country —
–Thomas Hardy’s Wessex —
–Blackening of England —
–Scotland in literature : Kidnapped: a topographical novel; Edinburgh —
–Dublin of Yeats and Joyce: After Parnell; Wanderings of Ulysses; Other testimony —
–Atlas and gazetteer section: Atlas; General gazetteer; London gazetteer; Westminster Abbey, St. Paul’s Cathedral, Inns of Court; Schools; Geographical index.

Landscape and English National Identity

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“People have always attached meaning to the landscape that surrounds them. In Storied Ground Paul Readman uncovers why landscape matters so much to the English people, exploring its particular importance in shaping English national identity amid the transformations of modernity. The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their meaning. Between the late eighteenth and early twentieth centuries, Englishness extended far beyond the pastoral idyll of chocolate-box thatched cottages, waving fields of corn and quaint country churches. It was found in diverse locations – urban as well as rural, north as well as south – and it took strikingly diverse forms.”

Image and text reproduced from Amazon