Extract from In What Geography Differs From Chorography, Claudius Ptolemy

1584 — An illustration of Ptolemy holding a cross-staff, published in Les vrais portraits et vies des hommes illustres (1584). — Image by © Bettmann/CORBIS

“Geography is a representation in picture of the whole known world together with the phenomena contained therein, it differs from Chorography in that Chorography, selecting certain places from the whole, treats more fully the particulars of each by themselves – even dealing with the smallest conceivable localities, such as harbors, farms, villages, river courses, and such like. It is the prerogative of Geography to show the known habitable earth as a unit in itself, how it is situated and what is its nature, and it deals with those features likely to be mentioned in a general description of the earth, such as the larger towns and great cities, mountain ranges and principle rivers […]

The end of Chorography is to deal separately with a part of the whole, as if one were to paint the eye or ear by itself. The task of Geography is to survey the whole in its just proportions, as one would the entire head, and afterwards those detailed features which portraits and pictures may require, giving them proportion in relation to one another so that their correct measurement apart can be seen by examining them, to note whether they form the whole or a part of the picture. Accordingly therefore it is not unworthy of Chorography, our out of its province, to describe the smallest details of places, while Geography only deals with regions and their general features. […] Chorography is most concerned with what kind of places those are which it describes, not how large they are in extent. Its concern is to paint a true likeness, and not merely to give exact position and size. Geography looks at the position rather than the quality […] Chorography needs an artist, and no one presents it rightly unless he is an artist…”

Claudius Ptolemy quoted in Volume II, Visual Culture: Histories, Archaeologies and Genealogies of Visual Culture. Eds. Morra, J, Smith. M, (Oxon, Routledge: 2006), p.17‐18.

Citational Fragments

Loie Fuller – Oyster

I say unto you: one must still have chaos in oneself to be able to give birth to a
dancing star. I say unto you: you still have chaos in yourselves.
—Nietzsche, “Zarathustra’s Prologue”

With every event, there is indeed the present moment of its actualization, the
moment in which the event is embodied in a state of affairs, an individual, or a
person, the moment we designate by saying ‘here, the moment has come’. The future
and the past of the event are only evaluated with respect to this definitive present.
On the other hand, there is the future and past of the event considered in itself,
sidestepping each present, being free of the limitations of a state of affairs,
impersonal, pre-individual, neutral.

Text reproduced from http://www2.selu.edu/Academics/Faculty/jbell/doublebind.pdf. Image reproduced from https://www.metmuseum.org/art/collection/search/287807 (accessed 30/03/22)

The Mind at 3 miles an hour

Frank van De Ven, Body Landscape Residency, 2011

Frank Van de Ven, Body Landscape Residency, 2011

“The multiplication of technologies in the name of efficiency is actually eradicating free time by making it possible to maximize the time and place for production and minimize the unstructured travel time in between…Too, the rhetoric of efficiency around these technologies suggests that what cannot be quantified cannot be valued-that that vast array of pleasures which fall into the category of doing nothing in particular, of woolgathering, cloud-gazing, wandering, window-shopping, are nothing but voids to be filled by something more definite, more production, or faster-paced…I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness.” Rebecca Solnit

Text reproduced from http://www.goodreads.com/quotes/497587-the-multiplication-of-technologies-in-the-name-of-efficiency-is 08052014

One step forward/Two steps back (anon, anon, anon) – Three Steps into 2017

Left: Found Text in Samuel Butler Exhibition Catalogue 'Travelling the Way of All Flesh', Right: Robert Edwin Peary at the North pole by an unknown photographer.

Left: Found Text in Samuel Butler Exhibition Catalogue ‘Travelling the Way of All Flesh’, Right: Robert Edwin Peary at the North pole by an unknown photographer.

“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”

Yours for a resolute 2017

Extract from T.S Eliot’s Little Gidding, the last of Eliot’s Four Quartets, 1942. Quote reproduced from http://www.columbia.edu/itc/history/winter/w3206/edit/tseliotlittlegidding.html

The Nature of Life – John Ruskin meets Joan Miro

Joan Miro, Barcelona, Carborundum Print, 1970, 75 x 105cm

Joan Miro, Barcelona, Carborundum Print, 1970, 75 x 105cm

A thought for the new year:

“The foxglove tells us that our life is a whole, consisting of youth and age, of flowering moments and dying moments, of buds and seeds, of uses and needs. It is not one big blossom, but a whole plant. Its wealth resides in its wholeness and the relationships of all its parts to the whole. The dust gathers to make foxgloves, you and me. We too can shape the dust. What shape will that be…?” John Ruskin

What shape will you be?

Image reproduced from http://www.printed-editions.com/art-print/joan-miro-barcelona-20174