CFP | AAH | AUTUMN SYMPOSIUM 2025 | BEYOND THE VISUAL: FULL BODY IN BRITISH ART HISTORY – PAST, PRESENT AND FUTURE

I am pleased to announce my paper proposal Re-citing the Archive has been selected for the above symposium.

“Western aesthetics since Plato have privileged the visual over the corporeal, leading to a limited understanding of artefacts, both outside and inside the West. As anthropologist David Howes writes in The Craft of Senses, the conventional western hierarchy of the senses “heaps honors on vision as the ‘noblest sense’ while relegating touch to the lowest, most ‘primitive’ rung of the sensorium” (2011: 1). The bodily senses of smell, taste and touch have been viewed as ‘nonaesthetic’ while sight and sound are classified as ‘aesthetic’ or ‘intellectual’ senses and granted superiority on epistemic, moral and aesthetic grounds (Caroline Korsmeyer 2019: 358). Recently, the ‘sensory turn’ and the ‘material turn’ have challenged this paradigm.

The 2025 Autumn Symposium organised by the Doctoral and Early Career Committee will explore the complex interplay between the senses when creating and experiencing artistic objects. Our aim is to go beyond the traditional emphasis on the visual gaze and to investigate how other sensory experiences have shaped, and keep shaping, our understanding and appreciation of artistic practices. How can attending to meanings achieved by other bodily senses offer alternative ways to understand works of art?

We invite proposals for 12-minute papers, relating to questions such as:

• How are emotional responses to art evoked through the non-visual senses?
• Might a sensory approach to sculpture, crafted objects, textiles etc lead to a reinterrogation of what qualifies as art? 
• How has the focus on the gaze influenced the reception of objects that appeal to other senses?
• What happens to the afterlives of artifacts crafted for tactile encounters or to oral storytelling when we experience them through the lens of visuality?
• What kind of role did visuality have in imperialistic agendas?
• How do contemporary artists draw from historical practices to forge new understandings of art that transcend the visual?
• What is or could be the role of the body in this new art history, and how can academia engage more closely with multi-sensory experiences of art?

We aim to address these questions by examining how different artistic theories, art forms, artisanal practices, and so-called ‘low art’ have engaged with the body and its senses. We welcome a wide range of perspectives and methodologies, from historical and theoretical inquiries to contemporary practices, such as explorations into oral traditions and folklore, materiality, museological and curatorial practices, theories of art, et cetera. Speakers will examine diverse artistic expressions in diverse chronological and geographical contexts, exploring the full sensory experiences they offer. By providing a platform for discussion across disciplinary lines, we hope to cultivate a deeper understanding of the complexity of artifacts in their production and their reception.”

Text reproduced from https://forarthistory.org.uk/events/cfp-aah-decr-symposium-2025-beyond-the-visual-full-body-in-british-art-history-past-present-and-future/ (accessed 20/09/25)