Title still from my current PhD project

Letters to the Landscape is an epistolary diaologue and travelogue exploring the relations between Brontë Country and Emily Brontë’s Wuthering Heights. The artist uses various strategies including polyphony, narrative, autobiography and the intimate. The essay incorporates postcards, letters, pinhole photography. digital photography, found images, found texts and Super 8.

Contemporary British Psychogeography

Walking Inside Out is the first text that attempts to merge the work of literary and artist practitioners with academics to critically explore the state of psychogeography today. The collection explores contemporary psychogeographical practices, shows how a critical form of walking can highlight easily overlooked urban phenomenon, and examines the impact that everyday life in the city has on the individual. Through a variety of case studies, it offers a British perspective of international spaces, from the British metropolis to the post-communist European city. By situating the current strand of psychogeography within its historical, political and creative context along with careful consideration of the challenges it faces Walking Inside Out offers a vision for the future of the discipline.

Pinhole experiments

Notes: It is proving extremely difficult and time consuming to get an accurately exposed shot from the pinsta camera. The camera only uses sight lines for composition, it throws out a really wide depth of field, apparently it likes being placed on the floor. Pre-flashing with a 1000 lumen flashlight for 30 seconds saves a significant amount of time when exposing. For the bridge for instance I placed the camera on the ground very near to the edge of the bank but it still picked up a lot of foreground. Because of the nature of filmless photography the image comes out in reverse. For the image of the tree we used a tripod between 2-3ft high and because the light was really bright I did not pre-flash and I set the paper speed at 3 (the light affects the paper speed i.e low/poor light 1, strong light 3, bright light sunny day 6), we exposed for 2 minutes and the image as you can see is over exposed.

Brontë Bridge, f229, speed 1, pre-flashed, exposure time 7 minutes
Penistone Hill, f229, speed 3, tripod, not pre-flashed, exposure time 2 minutes