place

Hauntology

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“Ghosts and spectres, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean? This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artefacts of a past from which we seem unable to break free.”

Text reproduced from https://www.amazon.co.uk/dp/0857304194/?coliid=I35KVFXNT9E223&colid=1G9PTRYRJ8YMC&psc=1&ref_=list_c_wl_lv_ov_lig_dp_it (accessed 12/09/24

Psychogeography

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Psychogeography: In recent years this term has been used to illustrate a bewildering array of ideas from ley lines and the occult, to urban walking and political radicalism. But where does it come from and what exactly does it mean? This book examines the origins of psychogeography in the Paris of the 1950s, exploring the theoretical background and its political application in the work of Guy Debord and the Situationists. Psychogeography continues to find retrospective validation in much earlier traditions, from the visionary writing of William Blake and Thomas De Quincey to the rise of the flâneur and the avant-garde experimentation of the Surrealists. These precursors to psychogeography are discussed here alongside their modern counterparts, for today these ideas hold greater currency than ever through the popularity of writers and filmmakers such as Iain Sinclair, Will Self and Patrick Keiller.

From the urban wanderer to the armchair traveller, psychogeography provides us with new ways of experiencing our environment, transforming the familiar streets of our everyday experience into something new and unexpected. Merlin Coverley conducts the reader through this process, providing an explanation of the terms involved and an analysis of the key figures and their works.

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PhD Abstract

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I am in the process of preparing for my transfer exam next month which requires a report, a body of practice, a presentation and as a PGR candidate I undergo a viva. Here is the synopsis of my research as it stands presently:

The purpose of the PhD research is to explore and critically evaluate the contemporary relevance of chorography as a practice research method for the critical examination of place. The research aims to situate chorography as a significant and relatively under-acknowledged approach in visual art to map characteristics of the locale by examining the relations between the physical site, its numerous interpretations, and representations. It seeks to investigate the performative and embodied experience of chorographic practice as a potential original contribution to knowledge. Additionally, the research aims to develop new ways to examine artistic practices of place-making and its application in visual art by restoring, developing, and communicating a connection between chorography, past and present. Overall, the purpose of the PhD research is to contribute to the understanding and application of chorography in contemporary artistic practice and research, specifically focusing on its application to the site of Brontë country.

Writing Britain

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“This book celebrates some of the most dazzling treasures of English literature to show how Britain’s greatest authors have been inspired by, and even redefined, their country. From Chaucer’s pilgrims journeying from Southwark to Canterbury, to the 21st century suburban hinterlands of J.G. Ballard, this book will explore how the places and landscapes of Britain permeate the nation’s great literary works and how these works have, in turn, helped shape our perception and understanding of landscape and place, both real and imagined. As well as celebrating the traditional British landscape the book will also examine the literary construction of the city, following the mysterious fog-filled streets that stretch from the London of Dickens and Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde to the urban underworlds revealed by contemporary writers such as Neil Gaiman and Iain Sinclair. Accompanying a major exhibition at the British Library, the book also features such diverse landscapes as Emily Bronte’s wild and windy Yorkshire Moors, Elizabeth Gaskell’s industrial northern towns, the seaside-turned-nightmare of Bram Stoker’s Dracula, Graham Greene’s seedy and menacing Brighton, Virginia Woolf’s Bond Street and Hanif Kureishi’s suburbia, this book will describe and illustrate the work of over 100 of the greatest British writers who have been inspired by place, spanning the Middle Ages to the 21st century.”

Text reproduced from Amazon accessed 07/05/24