The Pilgrims Progress

“The Pilgrims Progress, or, Christians Journey from the City of Destruction in This Evil World to the Celestial City in the World That Is to Come” ([London]: Published . . . by J. Pitts, no. 14 Great St. Andrew Street Seven Dials, July 1, 1813). Copperplate map, with added color, 34 × 45 cm, on sheet 41 × 51 cm [Historic Maps Collection].

“This anonymous map visually interprets English preacher John Bunyan’s religious allegory The Pilgrim’s Progress from This World to That Which Is to Come: Delivered Under the Similitude of a Dream, Wherein Is Discovered the Manner of His Setting Out, His Dangerous Journey, and Safe Arrival at the Desired Countrey (1678). (The book was probably written during his imprisonments for preaching without a license.) The protagonist, named Christian, faces temptations and digressions that could prevent him from reaching his goal, God’s celestial city. The symbolic nature of the work lends itself to graphic illustration: the Slough of Despond, the Valley of the Shadow of Death, Vanity Fair—such “obstacles” have become iconic in Western literature. The universal resonance of Bunyan’s work—it has been translated into more than two hundred languages—accounts for its never having been out of print.”

Image reproduced from https://www.biola.edu/blogs/good-book-blog/2019/pilgrim-s-progress-maps (accessed 14/09/23). Text reproduced from https://library.princeton.edu/visual_materials/maps/websites/thematic-maps/theme-maps/literature.html (accessed 14/09/23)