Framing and Identity in Conceptual Poetics
At the recent Conceptual Poetics Symposium at the Poetry Center of the University of Arizona the key word seemed to be “framing.” The idea that words could be objectified to erase the identity of the writer–or to redefine what writing is–was explored through the notion of arrangement. This aesthetic sees words as objects to be placed in various structures through “language games” and distinguishes itself from an aesthetic in which the writer arranges the words as they represent his or her experience. In Conceptual Poetics, its practitioners argue, writing is freed from the limitations of one subjective viewpoint–the “lyric I” of confessional or romantic writers. Words are out there for anyone to place into “formal constraints.” What I found most interesting was the idea of subjectivities–the notion of replacing the “Lyric I” with several points of views or eyes looking out through various frames. The tools of technology allow poets to release the poem from the printed page and create hybrids with art, music, video games–whatever suits the “eye’s” fancy. To paraphrase one of the poets as he framed his chin and top of his head with his hand, what do we do with this space? The gesture conveyed visually that “this space” is a place from which to look out, not to look within. Continue reading
