show 2013 RCA/Printmaking Awards

showRCA

Visit the Show RCA website for information on graduating students from the Royal College of Art MA in Printmaking http://show2013.rca.ac.uk/category/printmaking/

This year Gill Saunders from the V & A has awarded the Augustus Martin Award to Nicola Thomas and the Printmakers Council Award has gone to Elizabeth Hayley. Thank you to the Matthew Wrightson Charity Trust for their generous support of my practice.

For anyone visiting the show the website showcases information and visuals for graduating artists and makers across Fine Art, Fashion, Design, Jewellery, Innovation Design Engineering, Textiles, Vehicle Design and Visual Communications. Please click here for more information about the show. Thank you to those who have attended. If you have not yet managed to see the show it is open until 30th June 2013 (closed Friday 28th June for Convocation).

Incommunicado

November2012 006

© Denise Startin

Dear Reader

Many apologies for the lack of continuous activity on the blog of late. Having recently produced a thesis for the MA I am undertaking (the effect of which has been to somewhat ironically kill my voracious writing and reading habits) the process has left me textually satiated, linguistically engorged and physically sick.

The thesis was part performative, part theoretical, part confession, part autobiography (which of course is a fallacy since one can only live one’s life not write it).The philosopher Phillipe Lacoue-Labarthe develops this rhythmic train of thought particularly in relation to autobiography and music; ‘the need to tell, to confess, write oneself.’ [1] Perhaps having partly written myself into textual oblivion through examining my haecceity one has been left comparatively mute. To draw upon an analogy  between writing and excrement ‘I’ have been evacuated. ‘I’ write myself, ‘I’ kill myself (after Derrida).

In Footnote 115 of the thesis I discussed the relation of the textual fetish and desire, here I quote myself “Elizabeth Grosz explains there are ‘two conceptions of desire – negative and positive.’ The one that concerns us here in relation to Freud and Lacan is desire as lack, that is ‘a yearning for what is lost, absent, impossible. Desire is posited as an economy of scarcity, where reality itself is missing something (the object whose attainment would yield completion), a linked to the death drive (the struggle for mutual recognition) and annihilation (which the object of desire threatens). Continue reading

Thinking on Paper

“A radical experiment in design and typography Stéphane Mallarmé’s poem Un Coup De Des (A Throw of the Dice will Never Abolish Chance 1897) privileges form over content or rather form as content , such that blank space, varied typography and the material folds of the book augment and even transform the semantics of the text. As Mallarmé writes in his preface to the first issue of the poem:

“The paper intervenes every time an image on its own, ceases or retires within the page, accepting the succession of the others, and it is not a question unlike the usual state of affairs, of regular sound effects or verses – rather of prismatic subdivisions of the idea, the instant when they appear and during which their cooperation lasts , in some exact mental setting. The text imposes itself in various places, near or far from the latent guiding thread, according to what seems to be the probable sense.”

(For the French version and (albeit different) English translation click here.

Text reproduced from http://directory.eliterature.org/node/573 Image reproduced from http://www.wookmark.com/image/8624/crumpled-white-paper-texture-by-melemel-jpeg-2048-1536