‘By opening up spaces of play the fictive compels the imaginary to take on a form at the same time as it acts as a medium for its manifestation. What the fictive targets is as yet empty and thus requires filling; and what is characteristic of the imaginary is its featurelessness, which thus requires form for its unfolding. Consequently play arises out of the fictive and the imaginary.’ [1]
Each fiction contaminates the imaginary purity of everyday life by denying the privileged authority of immediate, lived context and that context’s subsequent “authenticity” of experience.
[1] Wolfgang Iser, The Fictive and The Imaginary, 1993: pp.xvii
[2] -Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Image [from front cover] and text reproduced from http://www.gabrielblackwell.com/2011/08/imaginary-purity-of-everyday-life.html