A thousand machines

‘instrumental: mechanism and organism share the ideal notion of an empty endless, empty repetition without difference, of an overall functionality and of a rigorous subjection of the parts.’

Raunig G, published by semiotext(e), Los Angeles: 2010 pp.28

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s